Please use this identifier to cite or link to this item: http://hdl.handle.net/11189/5089
Title: Interrogations of guilt and amnesia in Mike Nicol’s The Ibis Tapestry, and Wall of Days by Alastair Bruce
Authors: Barris, Ken 
Keywords: Alastair Bruce;Collective guilt;Ibis Tapestry;Mike Nicol;Truth and Reconciliation Commission;Wall of Days
Issue Date: 2011
Publisher: Taylor and Francis
Source: English Academy of Southern Africa International Global Jubilee Conference Cape Town, 7-9 September 2011
Abstract: This article considers how The Ibis Tapestry by Mike Nicol (1998. New York: Alfred A. Knopf), and Alastair Bruce's Wall of Days (2010. Cape Town: Umuzi) explore the complex and possibly irresolvable relationship between individual and collective guilt, and associated tensions between public memory and denial. The discussion is theorised through Samantha Vice's treatment of the concept of ‘whiteliness’, and the challenge it presents for moral being in the post-apartheid state (‘How Do I Live in This Strange Place?’ Journal of Social Philosophy, 41 (3): 323–342). Vice argues that instruments of reconciliation such as the Truth and Reconciliation Commission (TRC) have not resolved the moral problem of being a white person in post-apartheid South Africa as historic asymmetries of power or wealth remain in place. In The Ibis Tapestry, Nicol stages a mise en abyme of the (white) writer as a figure necessarily complicit in apartheid guilt, by virtue of his/her identity. In Wall of Days, Bruce describes the need of a former dictator to inscribe his misdeeds into the public memory of the society that, under duress of scarce resources, he once led into committing atrocities. The central crisis of the novel is the refusal of his society to admit that he ever existed; the narrative thereby becomes an allegory of public denial and political amnesia.
URI: http://dx.doi.org/10.1080/10131752.2012.730177
http://hdl.handle.net/11189/5089
Appears in Collections:Eng - Conference Papers

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